Recordings
3.1 · 3.2 · 3.3 · 3.4 · 3.5 · 3.6 · 3.7 · 3.8 · 3.9 · 3.10 · 3.11 · 3.12 · 3.13 · 3.14
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Recording 3.1
Eugen d’Albert: Beethoven’s Waldstein Sonata (1906, piano roll recording).
Recording 3.2
Elman String Quartet: Tchaikovsky’s Andante Cantabile (1918).
Recording 3.3
Saint-Saëns: Saint-Saëns’s Piano Concerto No. 2 (1904).
Recording 3.4
Grigory Sokolov, Neeme Järvi & USSR State Symphony Orchestra: Saint-Saëns’s Piano Concerto No. 2 (1967).
Recording 3.5
Espressivo interpretation: Wilhelm Furtwängler & Wiener Philharmoniker: Mozart’s Symphony No. 40 (1944).
Recording 3.6
Neo-objective interpretation: Ernest Ansermet & Orchestre de la Suisse Romande: Mozart’s Symphony No. 40 (1942).
Recording 3.7
Espressivo interpretation: Willem Mengelberg & Amsterdam Concertgebouw Orch.: Schubert’s Symphony No. 8 (1939).
Recording 3.8
Neo-objective interpretation: Otto Klemperer & Philharmonia Orchestra: Schubert’s Symphony No. 8 (1963).
Recording 3.9
Sir Roger Norrington & London Classical Players: Beethoven’s Symphony No. 7, 2nd mov. (1989).
Recording 3.10
Sir Roger Norrington & Stuttgart Radio Symphony Orchestra: Mahler’s Symphony No. 9 (Live recording. London, Proms 2011).
Recording 3.11
Bjarte Eike & Baroksolisterne: Alehouse Sessions (2022).
Recording 3.12
Edvard Grieg: Grieg’s To Spring Op. 43 No. 6 (1903).
Recording 3.13
George Gershwin, Paul Whiteman & Paul Whiteman Orchestra: Gershwin’s Rhapsody in Blue (1924).
Recording 3.14
Søren Rastogi: Schubert’s Impromptu D. 935 no. 3. Theme and Variations (2024).